Points of Interest

United Olympics Commercials

One of five United Airlines commercials
Two Worlds: One of five United Airlines commercials

While the Olympics are an exciting and inspirational thing to watch, I am absolutely pleased with the commercials’ offerings in-between. Last night, I caught one of the five United Airlines commercials airing during the Olympics. From paper cut-out and CG, to salt on glass, the art direction for each commercial is imaginative, refreshing, and simply gorgeous. These commercials were produced by BDM, an ad agency based in Minneapolis. Each of these commercials features Gershwin’s “Rhapsody in Blue”, United’s personal theme.

I was able to find Youtube versions of each, but you should definitely check out the hi-res versions either on their website or via the links provided.

(All descriptions below are taken from the United Airlines’ Press Release.)

Sea Orchestra



“Sea Orchestra” (60 seconds) – “Sea Orchestra” is a lively and visually rich commercial that introduces United’s new international first and business class cabins. In it, a United airplane crosses the ocean and is serenaded by an orchestra of animated sea creatures that are playing a unique version of Rhapsody in Blue using tubas, violins, French horns and the Indonesian gamelan. The score was created by Shy the Sun, a South Africa-based directing team, which used hand-drawn textures, computer animation characters and photographs of water, reefs and skies.

Two Worlds



“Two Worlds” (60 seconds) – “Two Worlds” is a celebration of color and beautiful images that portrays United’s effect on international travelers. In it, a weary business traveler leaves a mundane, monotonous black and white world and enters a fantasy of color, representing United’s new international first and business class service. When he lands, he is once again in a black and white world, but has brought a bit of the magic of the new United experience with him. The commercial combines two different and distinctive animation styles created by directors SSSR, a Norwegian and Japanese team, who was responsible for the monochromatic world that was mostly computer-generated with a hand-crafted feel, and Gaelle Denis, a French director, who was responsible for the colorful fantasy world that uses using live action, computer generation and matte paintings, including textures such as Japanese rice paper.

Heart



“Heart” (60-seconds) – “Heart,” United’s new brand ad, portrays the connection between a husband and wife and United’s role in reuniting them. The commercial depicts a woman leaving her husband to fly to Europe for a business presentation. As she says goodbye, she leaves her heart behind as a symbol of her love. The musical score for “Heart” is a piano duet of Rhapsody in Blue performed by Herbie Hancock and Lang Lang, who recently performed Rhapsody in Blue together at the 2007 Grammy Awards. Using stop-motion animation and paper puppetry, California-based director Jamie Caliri and his team, place dimensional cardboard puppets in miniature sets that were shot frame by frame.

Butterfly



“Butterfly” (30 seconds) – “Butterfly” is a fluid, animated commercial with an artistic interpretation of flying in United’s new international first and business class cabins. The spot focuses on United’s 180-degree flat-bed business class seats and comes to life against a violin version of George Gershwin’s Rhapsody in Blue. In this spot, the Polish director Aleksandra Korejwo manipulated colored salt using shed condor bird feathers on a black canvas positioned under a downward-facing camera.

Moondust



“Moondust” (60 seconds and 30 second) – “Moondust” is a luminous, dreamlike commercial with an artistic interpretation of flying in United’s new international first and business class cabins. The spot focuses on United’s 180-degree, flat-bed business class seats and is animated to a spare, intimate interpretation of George Gershwin’s Rhapsody in Blue. Ishu Patel, an Indian-born and Canadian-based animator, used his world-renowned back-lit technique in which a thin layer of plastic modeling clay is applied to a glass plate that has a 1000-watt light positioned beneath it and an animation camera above it.

2 Comments

  1. Gotta say Heart is my personal fave. Thanks for stopping by my little blog. I think we just hired one of your team. A guy named Hongman? What’s it like being an animator in North Carolina? Just how many studios or opportunities are out there?

  2. Matt,

    Yeah, “Heart” is my fave too; I loved the narrative and style in it.

    Yup! Hongman was my personal mentor when I started working at VCS and is one of my good friends. I’m sure he’s having a blast out there. 😀

    There’s a small handful of studios here in NC with the major ones being Epic, Red Storm, the new Insomniac studio, and Vicious. There’s also some ‘serious gaming’ presence here with Virtual Heroes.

    Most of them are located near the RTP area, which is around Raleigh, Durham, and Chapel Hill. It has a suburbia/small city type feel. Being an animator here is pretty fun, but there aren’t as many opportunities compared to a larger city like Seattle, I’m sure.

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