Updates

Dead Head Fred stuff!

The cooler box art of DHF, Japan-only

Almost a year later, I finally post my work from Dead Head Fred. The animation section has a reel with some of the animations I did, and the Artwork: 3d section has a pic of some modeling/texture work.

The above picture is the box art from the Japanese version of our game. It’s 100x cooler than the U.S. released box art, imho. The Japanese website also has tons of extras like a chibi style comic strip and various wallpapers. It’s always neat to see how games are localized for different countries. You should check it out.

Points of Interest

It is normal.


I have an incredibly hard time finding professional advice pertaining to the industry I work in. Both my parents and most my relatives have traditional professions in medicine, education, or business. Art school instructed me mostly in the technical aspects of being an animator. But, motivating yourself when you’re feeling defeated, dealing with long hours and heavy workloads, interacting with your co-workers…experience is the primary teacher. When you’re on your own, you’re never sure if what you experience as a young creative professional is normal because you may be surrounded by lots of people with experience, who have been doing it for a long time. And you occasionally question if you made the right decision, especially when your work or project isn’t turning out the way you wanted. It’s tough starting out with little experience, lots of ambition, and more to prove.

Every once in awhile, I find some open, honest advice like the video above. (Thanks to 43 Folders) Although Ira Glass of This American Life works primarily for broadcast, the experience is still applicable to anyone who works in a creative field. It is wonderful that more creative professionals are documenting their conclusions drawn from experience, observations, and lessons learned online. It gives inspiration to us kids, who are no longer shielded by academia’s umbrella, to pick ourselves up and keep marching on.

Updates

Thundercats are GO!

My website is fully operational. I ironed out most of the bugs. Any remaining ones are small visual nuances that you probably won’t notice (I hope.) I also got the RSS feed up and running again…unfortunately that involved me deleting my previous one with Feedburner and creating a new one. So if you were one of the 2 people that subscribed to my page, you’ll have to re-subscribe using my RSS feed link on this page. Sorry!

Points of Interest

Batman: Gotham Knight

Working through Pain

I’ll be honest with you: I know nothing about superhero comics or Batman beyond what I’ve seen from the stunning Batman animated tv series from the 90’s and the movie line featuring the likes of Keaton, Kilmer, Clooney, and Bale. I know the basics of Batman’s history, some of the major villains, and his close confidants. I preface this because I’ve read mixed reviews from Batman fans pertaining to Batman: Gotham Knight, which was recently released this past Tuesday.

After watching my Blu-Ray copy of the Gotham Knight, all I can say is: WOW.

From an animation standpoint this is an amazing visual treat. Similar to The Animatrix, this collection tells episodic stories surrounding Batman. It features animation powerhouses Studio 4ºC (Tekkon KinKreet), Madhouse (Paprika), Production I.G. (Ghost in the Shell), and Bee Train (Noir). All 6 stories are loosely linked together with recurring characters and take place between Batman Begins and the upcoming Batman Dark Knight.

What really sold me on these vignettes is how they opt for a more intimate narrative beyond a typical superhero vs. villain structure. The focus is not particularly on the villains (which I’m sure angered a lot of fans), but rather on the qualities that make Batman who he is: powerful, resourceful, noble…human. Two of the stories that perfectly illustrate this theme are produced by Studio 4ºC: “Have I Got a Story For You” and “Working Through Pain” (which the above image is taken from). Unsurprisingly, these are my favorites from this collection. (On a side note: these 2 shorts have made me a Studio 4ºC convert.)

Each story has its own distinct visual style and the production quality is top-notch. There are intricate backgrounds and frenetic fight sequences galore. There is something special about each visual interpretation of Batman and his beloved Gotham City. I must admit, however, that if you’re not a fan of the anime style, you may not appreciate the work entirely.

I’m not going to bore you with the details, but if you are looking for some high quality animation or are a fan of any of the aforementioned studios, it deserves your attention. If you don’t like it, at least you get $3 off the movie concession stand if you purchase it from Best Buy.

Sketches · Updates

Site Overhaul + Life Drawings

As you can tell, I remade my site yet again. There’s a few bugs here and there I need to fix (i.e. my RSS feed not working and the extra space found beneath my artwork pages), but for the most part this is it. I restructured my site so it’ll be more organized and cleaner in design. For the tiled background, I used this awesome pattern from Din Pattern. If you’re ever looking for some background tiles, I highly recommend the site.

Above are some life drawings from last night’s session. I haven’t been to one in forever due to crunch. I used a Uniball Signo pen, after reading about it in Enrico Casarosa’s blog. I have to say, this has become my new favorite fine pen as well. The ink flows so smoothly you don’t want to lift your pen, hehe. It’ll be a fine addition to my travel sketching materials. 🙂

Unfortunately, next week we’re re-entering crunch so you may not see more life drawings until August. In the meantime, though, I will be posting other stuff *koff koff animation*. So thanks for visiting, and let me know if anything looks bizarre on your browser.